Regional credits include Father in Children of Eden (Music Theater West), the Beast in Disney’s West Coast premiere of Beauty and the Beast (Theatrical Arts International), The Bullfrog in Honk! (San Gabriel Civic Light Opera), and Ken in Ain’t Misbehavin’ (Performance Riverside). Chicago credits include the Vagrant in Incident on Run 1217 (The Factory Theater), the Carnival Barker in American Notes, and Follezou in Frankenstein in Love (Will Act For Food). LaQuin is very excited to be working again with Lifeline Theatre, after appearing as John Savage in Her Majesty’s Will and Edwin in Miss Holmes. As part of our production of Neverwhere, Lifeline is curating “Chicago Below” - an lobby exhibit of images of the Chicago that lives just underneath the glittering parts of the city: the alleys, subways, viaducts and darker places of our own city. Neil Gaiman’s novel suggests that every city has a city below and each city has a price to pay. Visit our Accessibility page for more information.
Journey to London Below with a rogues’ gallery of liars, outcasts, and assassins, on a treacherous quest to awaken the hero within, in a new production of Lifeline’s hit adaptation of the 1996 novel by Neil Gaiman.
Drawn together by fate – and forces more powerful than they can guess – these two must brave countless trials, uncover the truth behind a dark conspiracy, and face the indomitable Great Beast before they can set things right again. Lady Door returns home one day to find her family slain and her life upended. Richard Mayhew commits an act of kindness on the streets of London and finds himself trapped in a shadow world beneath the city. “Can’t-miss epic fantasy with deep meaning and dark humor, a fitting tribute to Gaiman and his boundless creativity.” – Chicago Theater Beat “A bracing, breathtaking good time… Audiences looking for the perfect escapist comic drama, filled with action and adventure, should look no further than the current at this jewel of Rogers Park.” – Chicago Theatre Review “★★★★ This is a wonderful adaptation and a wonderful production… That Lifeline succeeds on all counts is a tribute to Kauzlaric’s excellent script and director Ilesa Duncan… The entire ensemble is excellent.” –
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